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Abhishek Bachchan, Aishwarya Rai, Vidya Balan, Madhavan, Mallika
Director: Mani Ratnam
Producer(s): Mani Ratnam, G. Srinivasan
Dialogues: Mani Ratnam, Anurag Kashyap
Music: A. R. Rahman
Cinematography: Rajiv Menon
Editor: A. Sreekar Prasad
Review: ‘Daring to dream’ is probably the larger motif of the movie
Guru. In a sense, that has also been the underlying impulse of Mani Rathnam
himself as he has dreamed into reel about the life and times of a man who
had an outrageous idea and even more outrageous desire to make them into
reality, come hell or high water.
If Gurukanth’s chase of fantasy (to make it as a businessman) puts him and
those who reposed faith in him on the path of riches, then Mani’s own
cinematic odyssey into the pioneering story of modern-Indian business world
rewards us with an unforgettable experience of artistic entertainment.
A business missionary and a visionary, is what Gurukanth is. For him, no
rule or norm is an impediment to the path of progress that he has charted
for him, his company, which for him is also the metaphor for the newly
Mani’s genius lies in incorporating a cute and impish love into the broader
ambit of an emotionless world of shares and supplies. Mani’s other great
success is in getting the best out of his team. It is Abhishek Bachchan who
leads the pack with a show that is surely the best of his career so far. In
a de-glamourised ‘bania’ look, Abhishek packs all the right punches in a
character that is far more complex than the dandified exterior would
otherwise lead us to believe. The Abhi-Aish chemistry is well known and
needs no repetition here. But the sub-text of the duo’s romance to the
larger theme of a man with a mission keeps the film from slipping into the
slipshod stream of stereotyped consciousness. And then there is A R Rehman.
In Mani’s company, Rehman becomes magical and his beautiful songs get an
even more compelling contextual beauty. Rajeev Menon has the true ‘eye’ of
Mani, bringing into images the ideas in the director’s mind.
The story is obviously a takeoff from Dhirubhai Ambani’s life and times. But
that is just a starting thread. Using that, Mani’s spins a yarn (just about
the right term to describe about a story that is about success in spinning
mills and polyester fibre) that gives a feeling of comfort and warmth.
‘Guru’ begins with the young Gurukanth (Abhishek) setting off to the arty
and raucous Istanbul. In a sense, Istanbul proves to be what South Africa
became eventually for the other great Indian dreamer ----Mahatma Gandhi
----- a seed of inspiration. Appropriately, Guru too invokes the ideas
(though not the idealism) of ‘Bapu’ when he is towards the end pinned down
by Indian authorities for transgressions of laws that are in the book.
Guru, though appreciated for his work ethic, is consumed by the desire to
make his work come good for himself rather than waste it for others (in this
context, the whites). So he throws up his job in Istanbul and comes down to
his dusty hamlet in Gujarat. But here again, the roadblocks before the
takeoff are many (parental disapproval, monetary dryness and a general
Guru, who sees Sujatha (Aishwarya) in quaint circumstances, falls in love
with her and marries her. But the bigger love is for the money that she
brings along as dowry (it is a truth that he will come to face at an
unexpected crossroad). This would be his opening gambit on a complex,
chequered board of a game in which every coin is deemed a pawn by vested
interests. Guru of course wants to be the king. He understands the system.
More importantly, he understands men and their minds. He strikes up
friendship, by chance, with a maverick press baron Mangaldas (Mithun
Chakraborthy). It is what launches him into a tumultuous world and it is
what holds him back later. It is an enigmatic relationship that even amidst
the no-holds-barred fight, Guru is able to strike a beautiful and bouncy
relationship with the multiple-sclerosis ridden daughter of Mangaldas (Vidya
The initial days in the market are hard slog and slugfest. Guru manoeuvres
them all with commonsense and conviction. But he has to subvert the system
(mind you, those were the times of license raj and quota rules). This is
what gets the goat of the Mangaldas, an old-world journo, who, despite his
outward brusqueness, likes to play within the rules.
What ensues is a high-stakes cat and mouse game with Mangaldas using his
hotshot scribe Shyam (Madhavan) to dredge up details of off-the-book
dealings of Guru. It is a fight between two equal enemies. Guru, despite
playing by his own rules, wins popular support. It is on these crutches that
he eventually hobbles out.
The story’s strength is in the details that are too difficult to explore and
experience in words and overzealous adjectives. But in Mani’s expert eyes,
everything parade out in a panache-filled procession.
In the end, the film is indeed a biopic, without the attendant dreariness.
Like all truly great directors, Mani says a lot when he doesn’t say much.
The story between the lines is what holds the attention as it is where the
drama is…the action is.
For Abhishek, this is the performance of a lifetime. He lives the complex
character of Guru with rare ease. Abhishek has managed to convey the
underlying energy and enthusiasm of a businessman who romances the idea of
being the best in the world.
The Abhi-Aish love story, cool and crisp at the start, grows up to be warm
and wistful towards the end. It is a study in dignity and charm. Aishwarya,
as ever, looks ravishing in song sequences.
Mithun brings to life a media baron who hides his essential simplicity and
sweetness in practised roughness. Madhavan, as the howitzer journo of Mithun,
flies into the target unerringly. His restraint, caught between the
high-fire exchanges of two worthy rivals, is beautiful. Vidya Balan, in a
weepy role, looks comfortable.
As ever, you have technical virtuosity all around in Mani’s movie. Rehman’s
songs sound even better on screen and have been lovingly picturized by Mani
and Menon. Be it Madurai, Istanbul or Karnataka, all places come out in
The Hariharan ghazal just lifts you to heights that only monastery monks
reach at their moments of high inspiration. Sreekar Prasad’s editing is
crisp. The belly dance of Mallika (in Istanbul) is a treat to eyes craving
for aesthetic satisfaction.
So, is there nothing wrong with Guru at all? Like the man Guru, the film too
has warts and all. But that is the charm of it. It is what adds the
The dubbing voices all fit just perfectly. Suriya’s full-throated backing to
Abhishek is really splendid. The details of the story have not been lost in
translation. For, what is narrated is a universal tale of human effort.
Mani has used all his sensibilities and sensitivities to unspool a tale
whose drama lies in the men and not in their methods. Guru is unpretentious
and doesn’t labour to make a point. Affected artifices are not for him.
Guru is a study of a man who is not afraid to chase the rainbow of
imagination. Guru, the film too, is a jubilee of imagination and
Guru is drawing lot of interest and curiosity. Abhishek is paired
against Aishwarya in Mani ratnam’s Guru. Abhishek Bachchan is reportedly
dating Aishwarya and hence the chemistry onscreen will be worth
watching. To support the leading pair in the movie are surprise
surprise…likes of Mallika..yes Mallika Sherawat, Madhavan, Vidya Balan,
and so on. Mani Ratnam wanted to initially make the movie in Hindi as
well as English but the English version was eventually dropped.
Guru is reportedly set in the 1960s with Abhishek playing the role of a
soldier who has participated in the 1857 mutiny. There are also reports
that the movie is based on the life of the late business icon Dhirubhai
Ambani. All we can say for now that we will let you know once we get the
official word. Till then we will leave you wondering what the
combination of Mani Ratnam and Mallika Sherawat will bring!
Movie is slated to release on Dec 22nd, 2006.
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